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supported by 13 fans who also own “Matahash”
Noisia style neurofunk meets glitch hop, IDM, jazz, world, ambient, elevator music, and who knows what else. This amalgam of genres has no right to work, but KOAN Sound somehow pulled it off, creating perhaps one of the most innovative albums ever. Every song is fantastic, either being a banger, atmospheric, emotive, or all three at once.
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supported by 13 fans who also own “Matahash”
Just absolute bass music perfection. I can't think of an electronic album I would recommend more.
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supported by 12 fans who also own “Matahash”
I keep playing and playing this over and over again. Sometimes more often than others but I always seem to come back for that inner geometric reset of the hologram 👽I feel like I’m listening to the best representation of light = electricity = what we are 🙌 been following David’s story for 20+ since London days. There’s no fav one for me, the geometry comes full circle and it’s perfect! The joy is in the mystery my fellow beings ☀️
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Floaty, ethereal drum & bass from the talented Melbourne producer.
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Delightfully manic dance music from British producer Patrick Tipler where worked-up rhythms collide with high-intensity synths.
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UK producer Morwell contrasts euphoric footwork with dissonant, dread-laden techno in a highly texturized tug-of-war.
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